"Chronos" was filmed on location at over sixty sites around the globe. Images of significant natural beauty, architectural complexity, iconic historical sculpture and various panoramic cityscapes were captured on 70mm film using mostly slow motion and time lapse cinematography.
The wordless narrative structure of the work primarily attempts to convey feelings of reverence and appreciation for the breath-taking subject matter. In addition, it also suggests states of significant anxiety experienced as a consequence of the pace and complexity of modern urban life.
Electronic music, composed and performed by Michael Stearns, is thoroughly integrated with the considered, slowly paced editing of Alton Walpole and Ron Fricke. Image and sound interpenetrate one another to suggest and convey the eloquent wordless scenario, which was conceived by both Constantine and Genevieve Nicholas.
Having begun as cinematographer for director Godfrey Reggio's film "Koyaanisqatsi", we see with "Chronos" that Ron Fricke helped to sow the visual and conceptual seeds of wordless narrative film. This medium finally bore satisfying fruit with 1992's feature length work "Baraka". "Chronos", however, remains as essential viewing.
By this passionate evidence of Mr. Fricke's ongoing struggle, we see that their is, at last, some sign of harmonious life beyond the scenario of Godfrey Reggio's dire trilogy.